If you’re in your forties, it’s pretty likely that you have been exposed to the songs on this album since you were very small, be it on the radio by Ms King herself or in covers by your favourite bands when you were a spotty teenager. It’s even more likely that your parents had a copy. It’s one of those seminal works of art in contemporary western cultural history comparable to Warhol’s ‘Campbell Soup’ paintings. For me it’s one of the best albums of all time, next to ‘Rumours’, ‘The White Album’, ‘Nevermind’, ‘Pet Sounds’, ‘The Lexicon of Love’ and of course Matt Bianco’s eponymous second album. There is not a single bad track on the album, but of course the outstanding ones are the much covered ‘I feel the Earth move’, ‘So far away’, ‘It’s too late’, and ‘You’ve got a friend’. I’ve only bought the album a few years ago second hand in a charity shop in Oamaru, and had listened from time to time and always enjoyed its seventies appeal and its sonic simpleness but the copy I had was so scratched that soon enough it wasn’t possible to play it anymore. My digital copies were still intact, but boy, it did sound limited.
Since I added a SACD player to the living room’s audio setup, I have slowly but surely bought SACD versions of my favourite records to the collection, so I ordered Mobile Fidelity’s SACD edition to replace the old silverling and, suck me sideways: what suddenly came out of the Klipschs was nothing like the muddled, ancient seventies stuff that I was used to. This was suddenly an intimate, very vivid live performance in my living room, with a piano player in the middle. During ‘So far away’ I suddenly picked up the drummers problems with keeping his hihat and bass drum synchronised (I actually never noticed any drums on that track) and the beautiful flowing basslines of Charlie Larkey. Never before did a SACD make such a difference and raise a thick curtain of acoustic muffling to reveal an amazing production.
‘Tapestry’ is an amazing album that is close to perfect, and with this edition Mobile Fidelity has produced an absolute stunner. Has been running non-stop for hours now.
So I recently bought a SACD player.
A Super Audio CD player.
Good Question. There are a few albums that I like so much, I would really, really like to listen to them as close to the original as possible. While I do have my trusty turntable, some albums are just not available (or very expensive) on vinyl. There are also some albums that were recorded so perfectly, that a crap transfer to CD with loads of compression on the way can just ruin your listening experience. That’s where the SACD player comes in. The main difference between your normal CD and the SACD format is bandwidth: A CD packs ca 400MB of digitized music, while a SACD contains 3.7 GB. There is also a difference in encoding (PCM vs SDS) but that would be too technical. Anyway, the ultimate selling point is that the listening experience is much closer to the original recording (especially for old material that was recorded analogue) as the format is almost lossless. So yesterday my poor postman brought another package to chez fordie, containing this:
It looks very nice
on the mantlepiece, next to the royal family next to the other gear and so far was has been given the nod by the best girlfriend ever. The first SACD I bought was of course my all time favourite, the original Bossa Nova album by Getz/Gilberto. The experience is indeed impressive, with Astrud and Stan even more present in the room and now I am on the hunt to find my top ten albums ever on this format. My current charts on Last.FM suggest that I am going to struggle to find the majority of the albums I have listened to most over the last 5 years, as the chart looks like this (and yes, I know, my taste in music is atrocious):
- Matt Bianco
- Steely Dan
- Pet Shop Boys
- Crowded House
- The Style Council
- Was (Not Was)
- Level 42
There doesn’t seem to be any SACD releases out there by ABC, Incognito, Pet Shop Boys, Was (not Was) and Level 42, but there are plenty of great jazz and classic recordings out there, and as the Steely Dan records are really the most important (as most meticulously produced) I am sure I’ll be able to gather a nice little collection. There is quite an active community around SACDs and I’m sure that I will be able to source everything I need to be an even happier listener.
Now all I have to do is find the 40 quid for the Japanese SACD of Aja.