Looking through my itunes collection sorted by purchase date, it is moderately obvious that I don’t buy a lot of music by contemporary ’new’ artists. There is Metronomy, Daft Punk, Bluey, Wickford’s own ‘The Milk’, The Submotion Orchestra and a few other stragglers, but the vast majority of new music is by old favourites such as Donald Fagen, Matt Bianco, Swing Out Sister, Prefab Sprout or Incognito. All gracefully ageing survivors of the seventies or eighties, they fill my ipod with comfort music – the equivalent of Friday’s SpagBol. So it comes with moderate surprise that for the last few days I have been listening constantly to Mark Ronson’s ‘Uptown Special’. Actually, this is no surprise, as it pretty much sounds like a pastiche of some of the most successful seventies and eighties styles. I have no idea how he came up with up the idea of making a seventies/eighties homage album, but it’s all there: James Brown’s rare grooves mixed with old school rap, Alan Parson’s soft rock, Steely Dan chords, Moogish bass lines with synth licks that sound like they come straight out a Juno and there’s even the real Steve Wonder making an appearance. This oevre was bought on the reputation of ‘Uptown Funk’ which must have been the first single that excited me since – wait a minute, I’ll get there in a minute – sorry can’t remember. This bastard child (the single, not Mark Ronson) of Cool and the Gang, Prince and Bootsy Collins is such a joy to listen to that even on the way to work one does a bit whistling (or even throwing in the odd dance step on arrival, severely upsetting the staff). Apparently Ronson is the stepson of Foreigner’s Mick Jones – a man with a knack for the odd million seller – who made Ronson listen to his newest records in the middle of the night, so maybe this is some sort of psychological workup of his involuntary exposure to eighties pop in the middle of the night, but It’s a long time since I had so much fun listen to new music, so I couldn’t care less: I am happy to have paid my dues to support Ronson’s apparently fabulous lifestyle a bit longer, and long may he exploit the previous decades a bit further.
Author Archives: Fordiebianco
Carole King: Tapestry
If you’re in your forties, it’s pretty likely that you have been exposed to the songs on this album since you were very small, be it on the radio by Ms King herself or in covers by your favourite bands when you were a spotty teenager. It’s even more likely that your parents had a copy. It’s one of those seminal works of art in contemporary western cultural history comparable to Warhol’s ‘Campbell Soup’ paintings. For me it’s one of the best albums of all time, next to ‘Rumours’, ‘The White Album’, ‘Nevermind’, ‘Pet Sounds’, ‘The Lexicon of Love’ and of course Matt Bianco’s eponymous second album. There is not a single bad track on the album, but of course the outstanding ones are the much covered ‘I feel the Earth move’, ‘So far away’, ‘It’s too late’, and ‘You’ve got a friend’. I’ve only bought the album a few years ago second hand in a charity shop in Oamaru, and had listened from time to time and always enjoyed its seventies appeal and its sonic simpleness but the copy I had was so scratched that soon enough it wasn’t possible to play it anymore. My digital copies were still intact, but boy, it did sound limited.
Since I added a SACD player to the living room’s audio setup, I have slowly but surely bought SACD versions of my favourite records to the collection, so I ordered Mobile Fidelity’s SACD edition to replace the old silverling and, suck me sideways: what suddenly came out of the Klipschs was nothing like the muddled, ancient seventies stuff that I was used to. This was suddenly an intimate, very vivid live performance in my living room, with a piano player in the middle. During ‘So far away’ I suddenly picked up the drummers problems with keeping his hihat and bass drum synchronised (I actually never noticed any drums on that track) and the beautiful flowing basslines of Charlie Larkey. Never before did a SACD make such a difference and raise a thick curtain of acoustic muffling to reveal an amazing production. 
‘Tapestry’ is an amazing album that is close to perfect, and with this edition Mobile Fidelity has produced an absolute stunner. Has been running non-stop for hours now.






