The Interstellar Age

Since my first encounter with Star Trek in the early seventies, Astronomy, Planetary Science and Astrophysics were all academic careers that I secretly coveted. Wouldn’t it be amazing to slowly but methodically entangle the secrets of the universe with a bunch of like minded people or continuously improve the technology needed to assess the necessary data. In other words, become a boffin.

It unfortunately turned out that I was far too lazy to put the work in to become adequate at either physics or math, so by the time I was ready for university I knew that this was not a realistic career to pursue. Today I know that it that it takes ages to get through grad school, that it is pretty tricky to become a PhD student in the necessary field and that you get paid peanuts as a post-doc (if you can get a job at all). So, probably the right decision to rather watch sci-fi and read about space exploration than actually be involved with it. I rather pay my yearly dues to the Planetary Society, listen to the right podcasts and marvel at the work the boffins crank out.

With the remaining members of Voyager 1&2’s science and engineering team celebrating 40 years since the two probes blasted off, the New York Times featured this event quite prominently in its science section, with a particularly lovely article about the remaining engineers by Kim Tingley. I have been following the fate of the two probes for decades as well (the advent of the internet has helped) and thought recently it would be nice to get a nice roundup of their history, so I bought Jim Bell’s book ‘The Interstellar Age’ . Bell is an accomplished academic and heads his own department at Arizona State University (and is the president of The Planetary Society), so you’d think he’d make a top notch author for a book on the Voyagers.

Well, unfortunately, he isn’t. I have no idea why, but rather than focusing on the scientific wonders and engineering issues that such a project discovers, he uses the book to frame his own personal academic career within the timeline of the two probes. Hell, it takes him 41 pages to begin the actual story. Interspersed with the history and some of the findings of the probes there are semi-funny anecdotes of him being a helpful grad-student, but then he omits the story around Voyager1’s faulty radio receiver before the Jupiter flyby. He also spends far too long on the design of the golden records.

I got increasingly frustrated by this book. While without question a nice chap, I really wasn’t particularly interested in Bell’s career, even if it touched Voyager from time to time. I’ll now have to hunt for somebody else’s account of those two technological marvels.

Recommendations welcome.

Matt Bianco: Gravity

It’s only been 7 months since Mark Fisher’s death, and we already have new Matt Bianco album. I didn’t know what to think about that. For me, Matt Bianco meant Mark Fisher’s catchy keyboard harmonies and Mark Reilly’s characteristic voice (I know, there was a different Matt Bianco with Danny and Basia, but that never did it for me). My favourite MB tunes were all Fisher/Reilly collaborations, so with him gone it was difficult for me to imagine what a Fisherless MB album would sound like.

While Fisher was ill, Reilly already collaborated with the dutch alternative jazzers New Cool Collective. I quite liked what they came up with: the album had some cracking tunes and I liked the New Cool Collectives idiosyncratic melange of brass and rhythm. So for the next Matt Bianco album Reilly again switched musicians: out are long time collaborators and studio heroes such as Tony Remy, Andrew Ross, Nick Cohen, Simon Finch, in are Graham Harvey (him of Incognito), Magnus Lindgren (Scandinavian Sax wunderkind), Dave O’Higgins (ditto, just not Scandinavian and already on Gran Via’s ‘Victim of Love’) , Geoff Gascoyne (British jazz bass legend) and Martin Shaw (Trumpeter extraordinaire). Elizabeth Troy – who got the background vocals job after Hazel Sim left) was allowed to stay.

So, all new personnel, new sound? Definitely, yesyes.

Out are the sequencers, the drum computers and electronic percussion. No more layered synthesizer harmonies, appregiatos and funky rhythm guitars. This is Reilly accompanied by classic acoustic jazz band, doing a Kurt Elling impersonation. This is not meant as a slight, as it works really well. A longstanding joke between the three remaining Matt Bianco fans is that you usually get two or three cracking songs per album (that’s ten pound per song if you order the Japanes import), and Reilly and his collaborators don’t disappoint: ‘Heart in chains’ and ‘Before it’s too late’ are excellent, and up there with the best of 30 years of Matt Bianco.

The album has been on heavy rotation at Chez Fordiebianco’s for 6 weeks now (tolerated by the best girlfriend ever – some sort of compliment, I’m sure) and I am still enjoying it. If you think about it, becoming more jazzy was always on the cards as Fisher and Reilly became more mature. HiFi Bossanova was already halfway there, so it feels natural that Reilly and the Jamie Cullen Band (which is what his marry men apparently are) have just progressed to where they should be.

This is a beautiful album that is beautifully produced and as such deserves a first class hifi system.

Nice one, Mark.