The arrival of a new Pratchett is always a big deal here in our tiny refuge within the hellish suburbian post-industrial wastelands that they call South-East Essex. It pretty much means that I will not be available for any chores within the house, including picking up the phone, answer emails or at all rise from the sofa. After me finishing The Book, it’s the best girlfriend’s ever turn to take over the tome and to indulge in a brief spell of escapism full of politically incorrect witches, moronic right wing types, ghosts with OCD and anarchic gnomes. So this time it was the teenage witch Tiffany to take over the helm in the protagonist’s chair and as before she seems to bring out Pratchett’s more introspective side. Why this book is labelled ‘for young adults’ (like the previous Tiffany novels) is beyond me. First, you could very well argue that all of Pratchett’s books appeal to young adults (and middle aged adults and older adults and decrepit old fogies like myself). Second, Tiffany always seems to bring out Prattchett’s philosophical side, making the books arguably more attractive to an older audience. Third, the distiction is completely arbitrary.
Anyway, the book is (as usual) a cracker. It covers all the usual, recurring issues that Pratchett (understandably) has been grappling with repeatedly in his last novels: Hate, tolerance, feminism, death, pre- and postmarital sex are all covered with Pratchett’s usual deftness and it’s hard not to feel both elated and shed a tear at the end of the novel.
I remain convinced that if more people would read Pratchett (especially Teaparty conservatives), the world would surely a better place, but that remains a pipe dream as he is surely blacklisted for these guys, just like that dangerous indoctrinator J.K. Rowling.



Anyway, ‘Confessions of a Pop Group’ was a deeply unusual album that threw the music press into a bit of a tizzy. What was it? Classic? Jazz? Pretentious Tosh? Well, it was one of those concept albums, with each side (remember sides? Side A? Side B? No? Well, then you’re obviously too young to read this blog. Sod off.) featuring a completely different approach to modern music. Side A (the first five tracks on your CD) is devoid of electric instruments (and guitars, as far as I remember) but instead tickles our fancy with a mix of King Singers and Debussy, with some of the Weller’s bleakest lyrics. The other side is full of electro funk. Yup. There’s also one of their funniest songs, the cynical “Life At A Top Peoples Health Farm”, an ode to the perversions of Thatcherite Britain.